
Oxford University Press.
(2005)
624 pages
(ISBN cloth: 0198162286)
Apart from the coronation anthems and Dixit Dominus, Handel’s church music is not particularly well known. Some of his most interesting English church music was composed for the Chapel Royal, yet much of this repertoire has never been recorded and very rarely performed. This is particularly surprising for a composer who is arguably considered a choral composer by the general musical public, especially a composer of ‘sacred’ music. Donald Burrows’ new book radically increases our knowledge of this aspect of Handel’s career, which spans from his arrival in London (his first anthem ‘As pants the hart’ dates from 1712) until his Foundling Hospital Anthem in the 1750s. Burrows takes a very thorough approach to the subject, with a wealth of detail about the history, institution, management and singers of the Chapel Royal during the late 17th and early 18th centuries. Where possible, Handel’s music is compared with relevant examples by earlier and contemporary composers’ settings of similar texts or anthems written for comparable occasions. Each of Handel’s Te Deum settings and anthems – including the coronation anthems and the Funeral anthem ‘The ways of Zion do mourn’ – are discussed thoroughly, with musical analysis, discussion of the manuscript sources, and an exploration of performance conditions.
The book’s contents are:
Part 1: History and Repertory
Part 2: Institutions, Resources, and Venues
Appendices: